I am awake before dawn, 0545, the bells striking three times, far off and then a moment later very near. The most devout moments of my life have been spent in bed at night listening to those bells. They flood over me, drawing me out of myself. I know where I am suddenly: part of this town and happy.
– from Salter's A Sport and a Pastime.
Now
another change. Gone is the ennui of the empty house, the clicking
quiet of the wooden floors, the cool uncertain mornings, the faint
despair that seeps in without having Anna and Ada with me. And while
I miss them more than ever, I've gotten into a good dutiful rhythm of
work and play: steady work at the house I'm remodeling, tending to
the garden when I get home, a beer in the hammock with a book in my
lap, or futball in the evenings with the immigrants at the park. All
I seem to need – outside of my girls – is a simple life of sport
and literature for work not to feel too pointless and for life to
hold some beauty for me. My desires seems as reduced and refined as
those of Salter's protagonist in A Sport and a Pastime; as
simple and hearty as Turgenev's in Sketches from a Hunter's Album.
But of
course that beauty is no more than a sugar high without the
sustenance of my women folk. When I was single it wasn't that way.
Beauty then was an ideal, an actual element on the chart, so real you
could study it from every angle, pursue with your senses and know
esthetically in your mind its existence from the materials and shapes
of the world about you. I won't say that's changed. But somehow, with
family, I have, or my pursuit of it has. I still value Beauty just as
much, but have less time to approach it esthetically, yet more time,
by demands of family life, to feel it in my heart. More time to know
the beauty of my wife in the happiness and struggles of merely trying
to make dinner or time to go for a walk; more time to know beauty
through the dearness of my daughter growing and learning about the
world. Perhaps it's a more grounded sense of beauty, a less
theoretical one. Less prosody and more prose. Less prose and more
pinch of Ada's plump cheeks, a cheeky question from her and a check
on the old bachelor state of contemplative and sometimes
self-indulgent interaction with life.
But
interestingly, experimentally, it's been a state I've been able to
slip back into these last weeks – which has been therapeutic for
me, a good artistic relief. But now I'm ready for the lovely wreckage
of family life again.
And
knowing they're to return from Colorado in a couple days has had me
kicking my heels in anticipation. For Ada's birthday I'm building her
a playhouse in the side yard – five by five feet of salvaged
lumber, two windows and a used door under a shed roof, clad
horizontally in pine I'd salvaged from my job. I worked on it
yesterday afternoon and into the evening, a blustery sky of chalk
blue shaking the trees now and then and whirling sawdust up into my
eyes. The little house came along, the framing slowly clad course by
course like a sleepy girl pulling on her socks. I had meant, on my
last big night solo, to ride off to a bicycle rally (the Hellodrome
race put on Boise Bicycle Project), but the rhythm of work had me
charging along, as did the suffusing excitement of knowing Ada and
Anna were due home the next day. A beer and then a whiskey soda added
to the suffusing, but not the saucing. Mixed drinks and miter saws go
hand and blade. Yet I had that humming feeling, serene, that has you
pausing to admire the windy light in the walnut leaves, the gliding
shadows on the grass, the surging green of late spring over the
valley and overhead like the whole world's a floating garden and
you're just a chittering, nut-drunk squirrel tinkering away at your
nest in the trees. Tinkering and sprucing and knowing your little fur
family is soon to be with you, soon to be home.
While
all that sounds a bit corny, it's true. And maybe that's what this
three-week experiment has taught me: how much I've changed since my
solo days – “grown” sounds self-congratulatory – to need my
family close for any artistic effort to hold much meaning for me.
Without Ada and Anna all the rest is a glorious sunset seen alone
from a hilltop. That used to be alright, the being alone and the
beauty just for me, perfectly alright. But it isn't anymore.